REVIEW: KINGPIN (1996)


                                                                                
                                     KINGPIN                                    
                       A film review by James Berardinelli                      
                        Copyright 1996 James Berardinelli                       
                                                                                
RATING (0 TO 10): 3.0                                                           
Alternative Scale: *1/2 out of ****                                             
                                                                                
United States, 1996                                                             
Release date: 7/26/96 (wide)                                                    
Running Length: 1:53                                                            
MPAA Classification: PG-13 (Language, crude humor)                              
Theatrical Aspect Ratio: 2.35:1                                                 
                                                                                
Cast: Woody Harrelson, Randy Quaid, Vanessa Angel, Bill Murray,                 
      Chris Elliott                                                             
Director: Bobby & Peter Farrelly                                                
Producer: Brad Krevoy, Steve Stabler, and Bradley Thomas                        
Screenplay: Barry Fanaro and Mort Nathan                                        
Cinematography: Mark Irwin                                                      
Music: Freedy Johnston                                                          
U.S. Distributor: MGM/UA                                                        
                                                                                
     Movies have always used the "from the makers of--" line.  You know,        
"a new film from the makers of LAWRENCE OF ARABIA" or "a new film from          
the makers of GLORY".  KINGPIN employs this time-honored tradition,             
except, in this case, it proudly claims to be "from the makers of DUMB          
AND DUMBER."  And, while the 1994 Jim Carrey/Jeff Daniels comedy was far        
from a modern cinematic classic, linking KINGPIN to it gives you a fair         
idea of what to expect, at least as far as the level of humor is                
concerned.                                                                      
                                                                                
     Before attending a screening of this film, I had heard some                
positive advance comments, so, although I was dubious about a Farrelly          
Brothers movie, I went into the theater in anticipation of a constant           
stream of coarse, lowbrow comedy.  I was primed to laugh.  I wanted to          
laugh.  And, two hours later, I was still waiting.  Oh, I suppose I             
managed a chuckle or two during some of KINGPIN's more outrageous               
moments, but, joke-for-joke, this is a weak movie.  And I mean weak.            
You can see almost all the gags coming.  By comparison, DUMB AND DUMBER         
was a veritable laugh-fest.  And the crowd I saw the movie with -- the          
average, teen-dominated Friday night group -- didn't seem to be having a        
whole lot more fun than I was.  Laughter, while present, was                    
surprisingly sparse.  And that, more than anything, indicates how               
lackluster this movie is.                                                       
                                                                                
     KINGPIN ends up playing a little like ROCKY meets DUMB AND DUMBER.         
That's when it's not doubling as a shameless advertisement for ESPN (the        
cable sports network covers the big bowling match at the end, and their         
logo is everywhere).  The downtrodden hero is Roy Munson (Woody                 
Harrelson), a once-promising bowler who lost his hand in 1979 because of        
a failed hustle orchestrated by his rival, Big Ernie (Bill Murray).             
Now, 17 years older and wearing a rubber hand, Roy is a burnt-out drunk         
running small-time scams.  That is, until one day in Scranton when he           
spies Ishmael (Randy Quaid), an Amish bowler who knocks down pin after          
pin.  Suddenly, Roy has visions of managing Ish to a $1 million                 
championship, and finally avenging himself against Big Ernie.  So, after        
a lackluster "comic" sequence on the Amish farm (featuring a grandma            
with whiskers and the de-semination of a bull -- ha ha ha!), Roy and Ish        
head for Reno.  Along the way, they pick up Roy's soon-to-be love               
interest, a shapely woman named Claudia (Vanessa Angel), who happens to         
be a mobster's girlfriend.                                                      
                                                                                
     I'll readily admit that I'm not the biggest fan of mindless humor,         
but, when it's done right, it can be very funny (as in THE MONSTER or,          
during certain scenes, Eddie Murphy's THE NUTTY PROFESSOR).  KINGPIN            
never does it right.  This movie is a complete and utter waste of time.         
The running length may be one-hundred thirteen minutes, but it seems            
like it takes about six hours to traverse the painful road from opening         
to closing credits.  And the comedy, such as it is, isn't sufficiently          
funny to provide more than an occasional, momentary diversion.                  
                                                                                
     I could mention the parts of KINGPIN that work -- the list is short        
enough that it wouldn't take up much space -- but I won't bother.  The          
fact that this picture has been given its theatrical release in the             
midst of the Olympics, when no one is going to the movies, shows how            
little faith MGM has in its commercial potential.  I hope they're right.        
In a summer filled with disappointments, KINGPIN occupies one of the            
lowest rungs.  And the really disgusting thing about this movie isn't           
the crude jokes themselves, but how grossly unfunny they all are.               
                                                                                
- James Berardinelli                                                            
e-mail: berardin@bc.cybernex.net                                                
ReelViews web site: http://www.cybernex.net/~berardin