REVIEW: FLED (1996)


                                     FLED                                       
                       A film review by James Berardinelli                      
                        Copyright 1996 James Berardinelli                       
                                                                                
RATING (0 TO 10): 5.0                                                           
Alternative Scale: ** out of ****                                               
                                                                                
United States, 1996                                                             
Release date: 7/19/96 (wide)                                                    
Running Length: 1:38                                                            
MPAA Classification: R (Violence, profanity)                                    
Theatrical Aspect Ratio: 1.85:1                                                 
                                                                                
Cast: Laurence Fishburne, Stephen Baldwin, Salma Hayek, Will Patton,            
      Robert John Burke, Victor Rivers, Robert Hooks, David Dukes,              
      Brittney Powell                                                           
Director: Kevin Hooks                                                           
Producer: Frank Mancuso Jr.                                                     
Screenplay: Preston A. Whitmore 2d.                                             
Cinematography: Matthew F. Leonetti                                             
Music: Graeme Revell                                                            
U.S. Distributor: MGM/UA                                                        
                                                                                
     There's nothing particularly deep or challenging about this movie.         
The title, FLED, says it all.  For most of its one-hundred minute               
running length, this is one chase after another.  When the film keeps           
moving, and doesn't dwell on things like character development or plot          
plausibility, it offers a certain minimum entertainment value.                  
Unfortunately, there are lulls when attempts are made at exposition,            
and, during those periods, FLED becomes unbearably dull, not to mention         
incredibly stupid.                                                              
                                                                                
     Actually, Kevin Hooks' energetic direction, coupled with Laurence          
Fishburne's commanding presence, makes this picture more watchable than         
it has a right to be.  Aside from occasional, clever quips (such as             
tongue-in-cheek references to THE FUGITIVE and Fishburne's Oscar-               
nominated performance in WHAT'S LOVE GOT TO DO WITH IT), there's nothing        
remarkable about the creaky script, which does everything it possibly           
can to keep the two leads on the run from good guys, bad guys, and              
everyone in between.  Logic and intelligence have little part in these          
proceedings.                                                                    
                                                                                
     Since the film opens with a black guy, Piper (Fishburne), and a            
white guy, Dodge (Stephen Baldwin), chained together and on the run,            
it's reasonable to connect FLED with Stanley Kramer's 1958 feature, THE         
DEFIANT ONES, which starred Tony Curtis and Sidney Poitier.  The                
similarities are purely superficial, however.  THE DEFIANT ONES was a           
multi-layered film; FLED is pure escapism with nothing under the                
surface.  It's stock bits of LETHAL WEAPON, THE FUGITIVE, and 48 HOURS          
rolled into one.                                                                
                                                                                
     Piper and Dodge are working on a Georgia prison work gang when all         
hell breaks loose.  A prisoner gets a gun and starts shooting, killing          
guards and inmates indiscriminately.  Piper and Dodge, who are chained          
together, escape.  Apparently, however, someone on the outside has              
orchestrated their break-out.  Dodge, a top hacker, possesses a computer        
disk containing incriminating information about a major figure in the           
Cuban mob.  Now everyone wants Dodge and his disk, including the mob's          
class-A hitman, the police, and crooked federal agents.  (Bad Feds again        
-- haven't these guys been the villains in every other movie this               
summer?)  During the course of the flight for life, the fugitives are           
helped by Dodge's exotic dancer girlfriend (Brittney Powell) and a              
pretty divorcee (Salma Hayek) who shows interest in Piper.                      
                                                                                
     Stephen Baldwin, one of the interchangeable acting Baldwin                 
brothers, is adequate, and Salma Hayek (DESPERADO) is attractive, but           
FLED's attention magnet is Fishburne.  A consummate professional, he has        
never turned in a sub-par performance, regardless of the quality (or            
lack thereof) of his role.  He's a good friend of Hooks', which explains        
his presence here, but those who sit through this movie won't care why          
he appears -- they'll just be glad he does.  Otherwise, enduring the            
film would be far more difficult.                                               
                                                                                
     There's not much else to be said about FLED.  It's not a complete          
entertainment wasteland, but this is definitely not the time of year to         
distribute such a routine, unspectacular action feature.  It probably           
would have played better against less imposing competition.  So,                
although FLED hints at the promise of its director, who previously              
made PASSENGER 57, it's not the kind of picture that will get                   
people racing to theaters.  When the movie's over, you're likely to             
be left feeling that, despite all the running around, you really                
haven't gotten anywhere.                                                        
                                                                                
- James Berardinelli                                                            
e-mail: berardin@bc.cybernex.net                                                
ReelViews web site: http://www.cybernex.net/~berardin