ON SCREEN: Pinocchio
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eye WEEKLY July 25, 1996
Toronto's arts newspaper .....free every Thursday
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ON SCREEN ON SCREEN
PINOCCHIO
Starring Martin Landau and Jonathan Taylor Thomas. Screenplay by
Sherry Mills, Steve Barron, Tom Benedek and Barry Berman. Directed by
Steve Barron. Opens July 26.
(eee of 5 eyes)
by
PINOCCHIO, A.K.A. PAMELA CUTHBERT
Beverly Hills
July, 1996
Letter to: Geppetto (a.k.a. Papa)
From: Pinocchio Esq.
Dear Geppetto,
I want to thank you for striking that lucrative deal for The
Adventures Of Pinocchio. As far as I can recall, it's the first time
anyone has paid us so much as a nickel for our story. Aren't the '90s
great?
The moola got me what I've wanted for so many years: to become a real
man. Being a real boy was great for a while, but after more than 100
years, it got tedious. I figured you wouldn't mind, since we outgrew
that father-son relationship long ago.
I saw the movie the other day and I have to say that you were just
marvelous. Did you turn into this Martin Landau character with the
help of the Blue Fairy? (And why wasn't she in the movie -- personal
problems?) Whatever -- you took me back to those less complicated
days, when we didn't have to deal with pool-boys, agents and
newshounds.
The special effects -- especially when it came time to turn the boys
into donkeys -- were very impressive. As for my animatronic stand-in,
it was quite perfect and got very close to capturing the boy/puppet
dichotomy of my earlier self. I was sorry I couldn't be on set to do
the real-boy part myself and I thought Jonathan Taylor Thomas in my
place was just too damn cute.
Which brings me to the one major problem I have with the movie: the
lack of mischief in my stand-in. He was downright sanitized! Have you
forgotten the trouble and anguish I caused you when I was a puppet?
And the valuable lessons I learned along the bumpy road to boyhood?
Maybe it's not your fault at all; perhaps you had no control over the
screenplay.
For the most part, I thought it was good fun, if a bit lax in the
adaptation. I have to remind myself of the revisionist age we're
living in and be thankful for how little the story got screwed up. And
I was relieved to see only one of those gushing musical numbers that
seem to plague kids' movies these days.
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