ON SCREEN: Kingpin
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eye WEEKLY August 1, 1996
Toronto's arts newspaper .....free every Thursday
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ON SCREEN ON SCREEN
KINGPIN
Starring Woody Harrelson, Randy Quaid, Vanessa Angel and Bill Murray.
Screenplay by Barry Fanaro and Mort Nathan. Directed by Peter Farrelly
and "Bobby Farrelly. (PG)
(eee of 5 eyes)
by
Mark Dillon
You might expect Kingpin, coming from the idiots what brung you Dumb
And Dumber, to be the most puerile of screen comedies, a succession of
cheap gags based on the body and its various parts and functions. And
that's pretty much what it is.
But, surprisingly, it is also something more. There is a genuine sense
of despair in the story of Roy Munson (Woody Harrelson), the 1979 Iowa
state bowling champ who tries to make a comeback 17 years after losing
his bowling hand in an altercation with some locals he tried to
hustle. But the film's occasional moments of anguish somehow do not
get in the way of the fun.
Kingpin is an irreverent road movie. Roy, an alcoholic has-been,
stumbles across Amish bowling prodigy Ishmael (Randy Quaid) at a local
alley. He offers to manage Ish in a $1 million winner-take-all
tournament in Reno and split the winnings. The reluctant Ish only
accepts so he can save his community from foreclosure. Along the way
they pick up Claudia, a sexy hustler who's in a jam with her sadistic
boyfriend. It is by no means a smooth ride. Roy and Claudia get into a
hilariously stupid fight scene in which nothing below (or above) the
belt is spared.
Harrelson, who has spent too much time on and offscreen trying to
disassociate himself from his nerdy Cheers persona, is surprisingly
sympathetic as Roy. Likewise, Quaid is totally likable as the Amish
man-child who picks up drinking, smoking, a couple of tattoos and a
brief stint as a stripper on his first adventure in the outside world.
But it is Bill Murray who steals the show in the climactic competition
scene as nasty bowling ace "Big Ern" McCracken. His comb-over alone is
worth the price of admission.
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